Because I can leave no idle idea alone, I’ve created a soundtrack to “Nosferatu, a Symphony of Horror”, the silent masterpiece by F.W. Murnau. I realize dozens of folks have done the same, but I’m actually quite proud of this one. I may do something with this with much better sound and picture quality. If I had a dvd burner, I’d let a chosen few of you have a full quality disc of it. I may yet be able to do something about it.
the approach was inspired by the Dogme 95 manofesto. Now, using so much technology probably makes it anathema to its adherents, but my mode of working is never pure, but, Harmony Korinne fanatic that I am, I feel an affinity to the movement. I had several limitations in doing this, as my hard drive is almost full, and I’ll be needing to send a bunch of large image files out in the coming week. Therefore, my first rule was only to use sounds I already had on my hard drive. This was easy, as what I have taking up space are the audio tracks from the Veil Of Thorns album I’ve just completed. What you’ll hear is 90% vocals with much less processing than it sounds like.
Secondly, I gave myself a timelimit of eight hours to create and sync the audio to the movie file. You can hear just the audio by downloading from the link above. You can download a windows media version by right clicking the image and saving, or you can watch it on the Veil Of Thorns Myspace page.
It’s actually taken me longer to render the movie than it took to write the music(k), which was fine, as I had lots of drawing I wanted to get done. More on that later.
The Vampire theme may make me goth at last.
For those few of you who haven’t seen countless versions of thos film, I include part of the wikipedia entry:
This was the first film of the production company Prana-Film GmbH; it was also the last as they declared bankruptcy after Bram Stoker’s estate—acting for his widow, Florence Stoker—sued for copyright infringement (plagiarism) and won. The court ordered all existing prints of Nosferatu destroyed, but a number of copies of the film had already been distributed around the world. These prints were then copied over the years, resulting in Nosferatu gaining a reputation as one of the greatest movie adaptations of the vampire legend.
With the influence of producer and production designer, Albin Grau, the film established one of two main lines of vampire depiction in movies. The “Nosferatu-type” is a living corpse with rodent features (especially elongated fingernails and incisors), associated with rats and plague, and neither charming nor erotic but totally repugnant. The victims usually die and are not turned into vampires themselves. The more common other line is the “Dracula-type” (established by Bela Lugosi’s version of Dracula and perpetuated by Christopher Lee), a charming aristocrat adept at seduction and turning his victims into new vampires.
Parts of the film allegedly showing Transylvania were filmed in Slovakia. Nosferatu’s castle, for instance, is Orava Castle in northern Slovakia, and other locations are in the High Tatras and on the Váh River around Strečno Castle.
The shadow of the vampire is seen climbing stairs in this famous scene from the movieMurnau’s Nosferatu is in the public domain, and copies of the movie are widely available on video—usually as poorly transferred, faded, scratched video copies that are often scorned by enthusiasts. However, pristine restored editions of the film have also been made available, and are also readily accessible to the public.