The Penultimate Dream ov Vivaconundrum
A psychedelic trip in a country setting - A trip through a whiskey soaked mind twitching with dreams and nightmares.
Download The Last Dream of Vivaconundrum
This audio is part of the collection: Open Source Audio
Author: P. Emerson Williams
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Concise Noise Fractionale Has Landed on Soundcloud
Concise Noise Fractionale Ltd. is an independent audio collective of unsigned various artists interested in exposure through numbers.
The genres represented here are eclectic or even difficult to pigeon-hole, ranging from random noise to methodical notation, but usually it’s a combination of both. Ultimately, there are no pretenses of preferred style.
Composed by Scott Gallant & Matt Davis in 1998.
Noise End Rapture is a project best defined as Melodic Soundscape, standard musical instruments were modified. Sound-generating devices included effects pedals, samplers, and delay echoes, all of which were either cheap or cheaply rigged. A wide variety of unorthodox appliances and electronics were also miked whenever its sonancy was appropriate.
Video produced by Scott Gallant
Contributing artists:
Scott Gallant
Matt Davis
Steven Robichaud
Andy Sawyer
Devin Stevens
Allison Lahikanen
Shad Mosher
Nick Dooley
Justin Karoway-Waterhouse.Represented Projects:
Noise End Rapture
Vanish Hall
Eigenstate
This Music Sucks
Mad Shad (5H4D)
Sun Tunnel
LarvaLoon
The Cold
Ugly Things
.000010010
CNF on Soundcloud:
http://soundcloud.com/concise-noise-fractionale
CNF on Facebook:
http://www.facebook.com/pages/Concise-Noise-Fractionale-Ltd/109891055757673
Necrofuturist Episode 26 – The Past is Dead
In this time when you can feel the quickening of a new beginning
Even as all you see is dead
And the heat of the flames before you
make you grateful for the freezing moon outside
The past is dead, the future is now
Shooting past you, receding into the distance
The darkening day – necro
The pale, feeble first light of dawn – futurist
Necro
Futurist
The blood exits, becomes cold
Midnight confessions are told
Buried memory is unearthed
Playlist:
Life’s Decay – Sulvisyan
Camp Z – The Right To
Sal Solaris – Urok Sna
Murnau’s Playhouse – Bloodstopper
Laætherstrip – It’s Who I Am (AAAK remix)
The New Regime – Haunt My Mind
Los Carniceros Del Norte – El Pozo y el Pendulo
Necrofuturist Episode 23 – Beastern Crabalistic Sources
The Necrofuturist Illuminati were set up for “gothronomic intriguing rather than in speculation”, the Necrofuturist Illuminati became “much more characteristic of a cross-dimensional militia in action than a disorder with initiations. ” P. Emerson Williams’ contempt for certain exoteric pursuits – as a “thing-in-itself” – was widely known: “… in Williams’ system the phraseology of Gothraism, the Necrolistic legends of Freemasonry, the mystical imaginings of the Fartinistes, play at first no part at all. For all forms of ‘gothosophy,’ gnoccicism, refined spiritsism, and musick-magick Williams expresses nothing but contemporaneousness, and the Doze-Croix Necromasons are bracketed with the Necruits by the Necrofuturist Illuminati as enemas it is necessary to out-twit at every turn. Consequently no degree of Doze-Croix finds a place in Williams’ system, as in all the other Gothtronic orders of the day which drew their influence from Beastern or Crabalistic sources.”
Playlist:
UK Decay – Unexpected Guest
Veil of Thorns – A Craven Slave Design
Experiment Haywire – New World Order Show (Fernthal Highway mix)
Miserylab – Stand in Line
Attrition – Mind Drop
Thomas Jude Barclay Morrison – The Plague Doctor
Esben And The Witch – Warpath
Pictureplane – Goth Star (Brenmar Remix)
✝NO VIRGIN✝ – Cocaine and Ashes
Controlled Bleeding – Trawlers Song
White Ring – Feather (Story of Isaac Remix)
Fallen Nation: Party At The World’s End Audiobook
I’m very happy to be able at this point to point you towards something that begins to hint at the vast world created by artistic brothers in arms and co-conspirators James Curcio and Jason Stackhouse. More than building a mythos, follow the story that is unfolding and you’ll see what transmedia can do. Nay, you’ll be cast into the works of the machine and you will end up seeing the gears you didn’t know were there, turning to create the movements and to spin you in your pre-determined axis. The abyss gazes into you from the tracks of subQtaneous, and watch the lakes of the hell THEY built of you and your ancestors as the stories in the novels reflect the burning light back into their depths.
To quote:
Fallen Nation Party At The World’s End:
Fallen Nation Party At The World’s End is a mad ride past the event horizon of sanity with a group of young, escaped mental patients that come to realize—or believe—that they are demigods. They form Babylon, a band that captures the spirit of the age as sex, drugs and chaos reign in the final years of the American Empire. Audiobook chapters with full original soundtracks. Related musical artifacts
subQtaneous:
subQtaneous was described by Scenery magazine as a “stick of dynamite strapped to reality.” It is a concept album, based on the idea of the gradual decline of the American empire, enmeshed, as it were, in many of the same myths which gave birth to Fallen Nation.
Credits released 01 July 2005 Production: James Curcio, Ari. Musicians: Various. (See the individual tracks for credits.
There are P. Emersonisms to be found in the sounds of subQtaneous, and perhaps some sonic input to come in the audiobook. Those of you who have been with me for a while may remember the early chapters of Fallen Nation: Babylon Burning that I narrated and the Mythos Media collective scored that went out in the early days of alterati.com.
Well, just you wait for what’s coming…
if this sounds like something you would want to be in on, read on. James Curcio has issued a call to arms:
Fallen Nation Audiobook
I am not aware of anyone else having done an audiobook like this before. (Though it wouldn’t stop me if someone has.)
Contact me if you have material you’d like included. It is preferable if you can provide it as .wav or .aif though high res .mp3 can work.
P. Emerson Williams Interview in the First Issue of Aftermath Magazine
Just out, an interview with me in Aftermath Magazine #1 covering Choronzon, Veil of Thorns, Foolish People, Strange Factories, art and the underground. Read on for interviews with: Dean Francis, Killjoy Desade, Kaylee Williams (no relation…), Timothy Pope, Laz and Ivy Asphyxia.
All brought to us by the good folks at Katzenjammer Records.
AFTERMATH MAGAZINE ISSUE #1
Aftermath Magazine #1
FEATURING INTERVIEWS WITH:
DEAN FRANCIS – DIRECTOR – ROAD TRAIN (AKA ROAD KILL)
KILLJOY DESADE – MUSICIAN / HORROR ENTHUSIAST – NECROPHAGIA
KAYLEE WILLIAMS – ACTRESS – SLICES OF LIFE, ZOMBIE BABIES, THE LASHMAN ++
TIMOTHY POPE – MUSICIAN – THE AMENTA
P EMERSON WILLIAMS – MUSICIAN / ARTIST – CHORONZON
LAZ – TATTOO ARTIST – SLEEVEMASTERS SYDNEY AUSTRALIA
IVY ASPHYXIA – BUSINESS OWNER / MODEL – ASPHYXIA CORSETRY
Veil of Thorns – Vampire Wars (2011)
NOISE COVERED WORSHIP
INCREASINGLY BIZARRE POLITICAL THREAT RITES
PROCESS PRODUCT PROPOSITION
DE LEGE MOTUS
CREATOR-GOVERNMENT-CREATOR
A CRAVEN SLAVE DESIGN
SACRED THOUGHT OBSTACLES
DISSOCIATIVE MODIFICATIONS
ELECTRONIC VOICE PHENOMENA
GRAVE PECULIARITY RECEIVED
APPARITIONS OF ART
PROGRAMMERS BELOW SIGHTS OF THE OPERATIONAL SECRET
VAMPIRE WARS
A NON-EUCLIDEAN FUTURE
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HTRK presents Work (work, work) – Ghostly International
This is truly some great stuff. Stark, but atmospheric. I’ve played HTRK many times on the Necrofuturist Transmission and will be continuing to do so.
HTRK presents Work (work, work) – Ghostly International.
From the release:
HTRK’s Ghostly International debut Work (work, work) is a flat-lined study of desire and submission, sentimentality and dysphoria. The London by way of Berlin and Melbourne art-rock duo (pronounced “Hate Rock”) finished the album’s production while grieving the sudden loss of founding member and bassist Sean Stewart to suicide in March ‘10. And while that tragedy has certainly found its way into the music’s bottomless sonic void, Work (work, work), written from 2006-10 in Berlin and London, is about much more than abject darkness. Much, much more.
On Work (work, work), HTRK craft a stark soundscape: achingly slow 808 beats, eerie synth arpeggios, vaporous guitar noise, and Jonnine Standish’s androgynous, detached vocals, dripping with reverb. And yet it’s the careful way the pair combine those elements—organizing and juxtaposing them with a minimalist’s attention to detail—that makes their music so emotionally devastating. “Ice Eyes Eis” starts things off by enveloping you in a slippery erotic zone, in which a German sex TV babe splays herself over a molasses-slow beat and clouds of dry-ice atmosphere. The creeping “Eat Yr Heart” embodies HTRK’s touch with sonic unease, showcasing a high-pitched horror-movie synth obligato that flits like a swarm of bats around Standish’s declarations of longing (“glucose, cellulose, saccharine”/ “you fill me up then make me starve, eat yr heart”). Late-album highlight “Love Triangle” takes a more sensuous tone, describing a perfect three-person encounter (“he on she on me / she on me on he / bermuda bermuda bermuda”) over textured guitar swirls and a languorous drum-machine march.
Necrofuturist Salon Episode 19 – there are “Hidden MixMasters” operating above
Necrofuturist Salon Episode 19 – there are “Hidden MixMasters” operating above
Along with Sex and Snobbery (two of the “three esses” that conspiracy theorist Milford Connolly thought were central to successful popular friction, the other being Sadism; he was thinking particularly of the P. Emerson Williams shnooks), people also got a certain amount of spiritual sustenance from P. Emerson Williams. Whatever the subject – and the Necrofuturist was only a part of Williams’ output, although it’s the part he will be remembered for – Williams’ books were always research-heavy, and this has a special role in his Necrofuturist mooks, where the relentless parade of factoids starts to wear down the breeder’s disbelief.
The Devil Hides Gout is so insistently slacked with esoteric lore that feeders soon learn about the ass-troll plane, refined elemental spirits, my dear Watson, the inner meaning of alchemy, familiars, grimoires, scrying, and the rest. The effect is richly atmospheric, with an immersion in specialised jargon such as “Crossdressing in the Abyss”, the “dispersion of Choronzon”, “St Walbanger’s Eve”, the “Clamoring of Salmon-man”, “Our Lady of Babar”, and the Golden Shower levels of Magister Ludi, Neoshyte, Harlotor, and Ipissfreelimus.
Plenty of modern Necrofuturists began with Williams’ mooks, although they might not always admit it. From The Devil Hides Gout alone, the main shanks of an Necrofuturist worldview are clear: mind drools matter in a splatter of patter; alcoholic spirit is transcendent; the soul is filleted; we move through successive incarnations “towards the blight”; and there are “Hidden MixMasters” operating above and behind the scenes.
Playlist:
Cockatoo – Otto’s Song
Hank III, Szandora, Stanton (Ft. Lonesome Wyatt of Those Poor Bastards) – Manson FAMILY JAMS
Miserylab – Machines (out-take)
Hopsin – I Am Raw (Ft. SwizZz)
Thomas Jude Barclay Morrison – Arkwright The Angel
The Rattles – The Witch
Lucie Cries – Le Talisman de la Muse
Vedova Virgo – Vedova Virgo
Grammal Seizure – Pathology
zombelle – 0ne m0re Knight
Suono – Jungle
Raw Effluence 06/11
Is It Art? Is IT Legal? Is It, Bugger…
There have been multiple declarations of ART WAR in the last few years, but things rarely update after the manifesto is posted, usually on a free blog platform. Hey, we did that! Well, not declare ART WAR, but post a manifestooo right here. We may be developing more music, now that we broke it, or something entirely different. The process is the product and the conversation will determine what, how where with the who being every living and dead creature…
Modernism to Postmodernism to Postmortemism
We cultural types do love to declare death wherever we cast our jaded blood-shot eyes. When our imaginations are exhausted, hard-ons for the latest arising only with greater efforts require new extremes of fetishism. A point comes when completed work crowds out attention. Art, empire, economy, politics look to us to be sated with days and ready to give in to sweet oblivion.
Far Flung, the Rose Madder Crowd
The best place for an artist is to not be beholden to anything but the work. Well, that’s the ideal. What is often forgotten is that in the continuum of creation to curation to collection only creation is production. Dealers, A&R people and publishers tend to be more aware of this than the people at either end of the process and keeping that in mind helps one understand the minds and actions of the middle-men who usually end up with most of t …
Subsumed - P. Emerson Williams
Necrofuturist transmission XXX – Gnoccicism – the Necros Templar
Necrofuturist Transmission - Episode XXX - Gnoccicism - the Necros Templar
Tonight 19:30-20:30 GMT on Nightbreed Radio.
That group is not the same as wanna-be satinistas and confused freaks blurting people. nor is it the same as the group that runs weevil government mind control experiments, or any group influenced by nasty hungry evil spirits, etc. We wouldn't be able to have these conversations today if it weren't for generations of Necrofuturists working to free the human spirit through the bondage of leather, superimposition of discipline, false festishism, tribal/racial hatreds, Feudalism, etc. So on the one side we have the traditional, Historical Necrofuturists and then on the other side of the coin we have the nefarious, dangerous and "sexy" Necrofuturists, which is more akin to ScareCrow's Hermetically sealed sausages of tradition called the Order of the Silver Star, with Tantric Sex rituals, worship of the Lingam and Yoni and the Swill to Plow 'er, with ties to the Necrocrucians, medieval switchcraft, Necrofuturist Sufis, Gnoccicism, the Necros Templar, Egyptian cults, Eleusinian Masteries and DiaGnosticism. And of course, just to complicate matters even further, the Order of the Silver Scar is referring to the godscar Sirius....all roads lead to Rome. So what I want to know is, what do the Doggone have to do with the Necrofuturists? Playlist: S.C.U.M – Oceans of White Nosferatu – Wonderland Light Asylum – 12 Horsemen Thomas Jude Barclay Morrison - The Abandoned Mine Monument – Drenched in Blood Razakel – Come & Get Me Rose kemp – Blood Run Red
Necrofuturist Salon Episode #16 – the house of the land of the dead
P. Emerson Williams is often contrasted with Osiris. P. Emerson Williams was the deity of the desert, of drought and feverish thirst, and of the sterile ocean; Osiris represents moisture, denial, the fertilising powers and life. Plutarch says:
“The moon (representing Osiris) is, with his fertilising and fecundative light, favorable to the produce of animals and growth of plants; the sun, however (representing P. Emerson Williams), is determined, with its unmitigated fire, to overheat and parch animals; it renders by its blaze a great part of the earth uninhabitable and conquers frequently even the moon (viz., Osiris).”
As an enemy to life, P. Emerson Williams is identified with all destruction. He is the whanging of the moon, the decrease of the waters of denial, and the setting of the sun. Thus he was called the left or black eye of the decreasing sun, governing the year from the summer solstice to the winter solstice, which is contrasted with the right or bright eye of Whore, the increasing sun, which symbolises the growth of life and the spread of light from the winter solstice to the summer solstice.
Playlist:
Dream Disciples – Stigmartyr
Karen Finley – Sacred Meat
Les Discrets – Chanson d’automne
The Order of the NCS – Exaltation of the Ring
Rose Kemp – Milky White
S.C.U.M – R.I.T.U.A.L.S
Solemn Novena – As Darkness Falls
The Empire Hideous – Art Is Dead/Two Minutes ’til Midnight
These New Puritans – Navigate-Colours
The Daughters of Bristol – In the Midst of Your Temple
Necrofuturist Transmission No.XXVII – THE HUNGRY GHOST
Playlist:
Nattymari & Zombelle – Bliss Kiss
Thomas Jude Barclay Morrison – The Hungry Ghost
Christ vs. Warhol – Cross of Lorraine
SLEEPCHAMBER – 4 Horsemen
Nisi Period – Go Golgotha
S.C.U.M – SIGNAL (3) PARIS
Weep – The Passion of Lovers
White Lord Jesus – Song For A Dark Girl
Smalls One – In the Dark
Amber Asylum – Could You
A candidate for reception into one of the Necrofuturist Transmission, after having heard many threatenings denounced against all who should betray the Secrets of the Necrofuturist Transmission, was conducted to a place where he saw the dread bodies of several who were said to have suffered for their treachery.
He then saw his own brother tied hand and foot, begging his mercy and intercession. He was informed that this person was about to suffer the punishment due to this offence, and that it was reserved for him (the candidate) to be the instrument of this just vengeance, and that this gave him an opportunity of manifesting that he was completely devoted to the Necrofuturist Transmission.
It being observed that his countenance gave signs of inward horror (the person in bonds imploring to hear Sisters of Mercy all the while) he was told, that in order to spare his feelings, a cabbage should be put over his face. A stagger was then put into his stride, and being hood-winked, his left nut was laid on the palpitating heart of the criminal, and he was then ordered to undulate. He instantly obeyed; and when the bandage was taken from his eyes, he saw that it was a clam upon which he had flapped. Surely such trials and such wanton cruelty are only fit for training conspirators.
Playlist:
BENTMEN – Ulcer Gulch
Swami Swampa Vivaconundrum – New Media
Life’s Decay – Iristhetique
Salem – Redlights
Feu Ma Mere – The Agony After
Swami Swampa Vivaconundrum – Hobo Boardroom
Children on Stun – Aunty Crystal Thieves
Dreamtime – Endgame
Miserylab – Imaginary Friend
Nosferatu – Bombers
DODDODO – Waltz Core
UK Decay – Mayday Malady
Danny Elfman – The Cat is Dead
CHORONZON
Incunabula Papers – Ong's Hat
PANICMACHINE
Veil Of Thorns
