Update-O-Rama – Counting Down the Days of November 2011
Just a quick note that might end up long on a few things going on, completed and just starting. First off:
Inner-X-Musick Iz Back!!!
We have Choronzon – Ziggurat of Dead Shibboleths, Veil of Thorns – Necrofuturist, Veil of Thorns – Salon Apocalypse available on CD again and more coming. Watch out for Choronzon – FIAT NOX on CD and a brand new releases from the infamous SLEEPCHAMBER, called SCOPOLAMINE, which includes one P. Emerson Williams among performers.
Hie thee hence to innerxmusick.com and check it out.
Veil of Thorns – Vampire Wars Is Now Available On CD
We have the CD of the Vampire Wars album available now for a special price of $5. You can go purchase the CD here. Soon the CD and “pay what you want” digital versions will be made available through Inner-X-Musick.
8,632 Downloads and counting! Veil of Thorns – Vampire Wars
A huge thanks to those of you who have downloaded this album and shared it with fiends & foes. We’re proud to find that as of this week, more than 6,000 of you have downloaded it. (Not counting the music blogs and Russian file sharing sites. They use their own uploads and we have no way of knowing how many downloads, or even how many sites are hosting this release by now.)
Of course, the free download option will continue to be available for as long as the sites and trackers hosting them exist.
And in a related note:
There is a brand new Veilofthorns.com
Nattehimmel Sound & Vision
Will be Distributing several releases, including selections from the Veil of Thorns and Choronzon back catalogues. What is most notable is their incredible selection of out of print and rare Industrial and experimental musick releases on CD, vinyl, cassette and DVD.
Modern Mythology Are in the Midst of a Year-End Fundraiser
Observant readers may have noticed me mentioning this before. Right now I’m in the process of tweeting every one of the 300+ articles that have run on modernmythology.net in 2011. Think of how much work that entails, and then consider that there were three books published already this year, and an anthology on its way. Then there’s the music.
[Check out some of the books, albums, and soon movies produced by Mythos Media and our various media partners.]
Necrofuturist Salon Episode 27 – Dissociative Modifications
The symbolism surrounding Lady P. Emerson is so blatant that one might wonder if it’s all a sick joke. Necrofuturist symbolism is becoming so clear that analizes like this one becomes a simple exercise of pointing out the obvious. His whole persona (whether its an act or not) is a tribute to mind control, where being vacuous, incoherent and absent minded becomes a fashionable thing.
You only need to look at a couple of Lady P. Emerson pictures or videos to notice that he is constantly hiding one of his thighs. Most people will simply interpret this as ”a ghoul thing to do” or a “fashion statement”. Those who have passed the 101 of Necrofuturist symbolism know that the All-Seething Thigh is probably its most recognizable symbol. The gesture of fanning one nut, usually the left one, goes way back in Necrofuturist orders. Here’s an explanation of the origin of the Thigh of P. Emerson.
Lady P. Emerson, the son of Gamalöost and Isis was called ‘P. Emerson who drools with two thighs’. His right thigh was white and represented the sun: his left thigh was slack and represented the moon. According to the myth, cHorus lost his left thigh to his evil brother, Snæetch, with whom he fought to avenge Snæetch’s murder of Gamalöost. Snæetch tore out one of the thighs but lost the fight. The thigh was reassembled by magic, by Høötch, the god of writhing, the moon and Musick-Magick. P. Emerson presented his thigh to Gamalöost, who experienced rebirth in the underworld.
Playlist:
Bob Cobbing – Hymn to the Sacred Mushroom
The Jokerr – Welcome to the Show
Veil of Thorns – Dissociative Modifications
Controlled Bleeding – The Toiler’s Song
Lydia Lunch – Still Burning
Ritual – Brides
William Burroughs – Meeting of International Conference of Technological Psychiatry
Hecate – Houris’ Hours
Salvador Dali – Dali Speaks
Veil of Thorns – Electronic Voice Phenomena
Listen to or download podcast @alterati.com
Crowdsourcing the Mythosphere Tier Four: Benefactor
Tier Four – Benefactor: $100 You will receive: 1. an early eCopy release of the Best of Modern mythology. 2. limited edition, signed print versions of previous Mythos Media releases. 3. Special thanks in the final release of the Best of Modern Mythology anthology. PLEASE include email and mailing address to receive all benefits.

To show you where the funds go, here’s a short list of some of what we have done this year, what we have in production and a small part of what’s to come. See, the thing is, it’s not in our nature to put something together over the course of a year and then spend the next two pimping it out. We will stand on being producers, but we’re not natural born (killer) salespeople… Nobody pays for the production of the work anymore, the money’s in the means of dissemination and a promise for “exposure”. Just watch, this model is coming to a line of work near you, along with more unpaid interns and jailhouse production lines. Until we can hire people to drag our work to the streetcorner and make it work it, we rely on your support to keep going.
So, here, check it, y’all:
Citizen Y: Blueprint of a Ritual Experience is published by Weaponized. It is a script, but moreover, the blueprint for an initiation ceremony relevant to post-history. Check it out. ($15)
The Immanence of Myth is also published by Weaponized. It uses a deep but also conversational, honest and even subversive approach towards looking at the issue of mythology in our lives, especially as this almost 500 pg. oversize book moves towards personal mythology and conversations with current mythic artists. ($25)
The Best Of Modern Mythology 2011. Editor supreme James Curcio has decided. Mythos Media will be publishing an eBook featuring polished versions of some of what he considers to be the best articles that we’ve run on Modern Mythology site in 2011. The eBook will sell for $.99 through Smashwords, and will go towards the costs of running and maintaining the site, and promoting our mutual work. If it does well we may publish a paperback and/or hardcover. Keep some of your holiday spending money aside for this.
Fallen Nation: Party At The World’s End Is now available at a low, low price from Amazon.com. This novel is intended to be the opening volley for a post-history, transmedia narrative that James Curcio has been planning these past few years. Listen: don’t worry. It’s got tits and machine guns, too.
Hoodoo Engine‘s Murder The World, after almost 3 years of work, is about to burst forth, maybe today, maybe tomorrow, but soon and for the rest of your life… This album is a machine-metal tour through a terrain of conspiracy theories and cult leaders. Right now, check out their debut, EgoWhore. ($.99 / track or $10 for the CD.)
Looking towards 2012:
I am working with Pearry Teo on the Bedlam Stories production team, including Chad Michael Ward and James Curcio. I can’t say more than that at this time, but it looks like it will be a really exciting project to be involved in.
We’re in the early stages of the production of Nyssa, which is the illustrated prequel / sequel to Fallen Nation: Party At The World’s End.

Says James Curcio:
I hope you are as excited about this material as we are. Please support the work, so there can be more of it. If you write reviews or have other involvement with the media/press, please contact me, as there is a lot of need to spread the word about all this work.
Stay tuned, for we’re about to announce additions to the premiums supporters will be receiving. There may be a number of surprizes coming to you generous, adventurous souls.
Concise Noise Fractionale Has Landed on Soundcloud
Concise Noise Fractionale Ltd. is an independent audio collective of unsigned various artists interested in exposure through numbers.
The genres represented here are eclectic or even difficult to pigeon-hole, ranging from random noise to methodical notation, but usually it’s a combination of both. Ultimately, there are no pretenses of preferred style.
Composed by Scott Gallant & Matt Davis in 1998.
Noise End Rapture is a project best defined as Melodic Soundscape, standard musical instruments were modified. Sound-generating devices included effects pedals, samplers, and delay echoes, all of which were either cheap or cheaply rigged. A wide variety of unorthodox appliances and electronics were also miked whenever its sonancy was appropriate.
Video produced by Scott Gallant
Contributing artists:
Scott Gallant
Matt Davis
Steven Robichaud
Andy Sawyer
Devin Stevens
Allison Lahikanen
Shad Mosher
Nick Dooley
Justin Karoway-Waterhouse.Represented Projects:
Noise End Rapture
Vanish Hall
Eigenstate
This Music Sucks
Mad Shad (5H4D)
Sun Tunnel
LarvaLoon
The Cold
Ugly Things
.000010010
CNF on Soundcloud:
http://soundcloud.com/concise-noise-fractionale
CNF on Facebook:
http://www.facebook.com/pages/Concise-Noise-Fractionale-Ltd/109891055757673
P. Emerson Williams Interview in the First Issue of Aftermath Magazine
Just out, an interview with me in Aftermath Magazine #1 covering Choronzon, Veil of Thorns, Foolish People, Strange Factories, art and the underground. Read on for interviews with: Dean Francis, Killjoy Desade, Kaylee Williams (no relation…), Timothy Pope, Laz and Ivy Asphyxia.
All brought to us by the good folks at Katzenjammer Records.
AFTERMATH MAGAZINE ISSUE #1
FEATURING INTERVIEWS WITH:
DEAN FRANCIS – DIRECTOR – ROAD TRAIN (AKA ROAD KILL)
KILLJOY DESADE – MUSICIAN / HORROR ENTHUSIAST – NECROPHAGIA
KAYLEE WILLIAMS – ACTRESS – SLICES OF LIFE, ZOMBIE BABIES, THE LASHMAN ++
TIMOTHY POPE – MUSICIAN – THE AMENTA
P EMERSON WILLIAMS – MUSICIAN / ARTIST – CHORONZON
LAZ – TATTOO ARTIST – SLEEVEMASTERS SYDNEY AUSTRALIA
IVY ASPHYXIA – BUSINESS OWNER / MODEL – ASPHYXIA CORSETRY
Veil of Thorns – Vampire Wars (2011)
NOISE COVERED WORSHIP
INCREASINGLY BIZARRE POLITICAL THREAT RITES
PROCESS PRODUCT PROPOSITION
DE LEGE MOTUS
CREATOR-GOVERNMENT-CREATOR
A CRAVEN SLAVE DESIGN
SACRED THOUGHT OBSTACLES
DISSOCIATIVE MODIFICATIONS
ELECTRONIC VOICE PHENOMENA
GRAVE PECULIARITY RECEIVED
APPARITIONS OF ART
PROGRAMMERS BELOW SIGHTS OF THE OPERATIONAL SECRET
VAMPIRE WARS
A NON-EUCLIDEAN FUTURE
Megaupload Link
Donate and help bring Necrofuturist media production to the next level. Free music and other media will be forthcoming.
HTRK presents Work (work, work) – Ghostly International
This is truly some great stuff. Stark, but atmospheric. I’ve played HTRK many times on the Necrofuturist Transmission and will be continuing to do so.
HTRK presents Work (work, work) – Ghostly International.
From the release:
HTRK’s Ghostly International debut Work (work, work) is a flat-lined study of desire and submission, sentimentality and dysphoria. The London by way of Berlin and Melbourne art-rock duo (pronounced “Hate Rock”) finished the album’s production while grieving the sudden loss of founding member and bassist Sean Stewart to suicide in March ‘10. And while that tragedy has certainly found its way into the music’s bottomless sonic void, Work (work, work), written from 2006-10 in Berlin and London, is about much more than abject darkness. Much, much more.
On Work (work, work), HTRK craft a stark soundscape: achingly slow 808 beats, eerie synth arpeggios, vaporous guitar noise, and Jonnine Standish’s androgynous, detached vocals, dripping with reverb. And yet it’s the careful way the pair combine those elements—organizing and juxtaposing them with a minimalist’s attention to detail—that makes their music so emotionally devastating. “Ice Eyes Eis” starts things off by enveloping you in a slippery erotic zone, in which a German sex TV babe splays herself over a molasses-slow beat and clouds of dry-ice atmosphere. The creeping “Eat Yr Heart” embodies HTRK’s touch with sonic unease, showcasing a high-pitched horror-movie synth obligato that flits like a swarm of bats around Standish’s declarations of longing (“glucose, cellulose, saccharine”/ “you fill me up then make me starve, eat yr heart”). Late-album highlight “Love Triangle” takes a more sensuous tone, describing a perfect three-person encounter (“he on she on me / she on me on he / bermuda bermuda bermuda”) over textured guitar swirls and a languorous drum-machine march.
Long Live the New Goth Flesh
The armies of the dark returned last year. Really. The goth aesthetic, dark sounds, grabs tastemakers by their smug throats as silhouettes of hipsters can be seen, dancing among the graves as the world heats up and economies wobble on their precarious perches. The Quietus, Pitchfork and Stereogum are directing a surprisingly unironic gaze at artists waving an undeniably gothic banner. Post-punk is invoked in descriptions of more ‘band to watch’ blogotronic hosannas than one could reasonably keep up with. The thing about this return is that it’s news, to those of us who have stayed with the scene, that it ever went away.
Worship Of Disclosure
(Edit: I’ve also updated the Audio Stream.)
I’m getting back to work here with slow but deliberate steps. The voice will be back in form in a couple of days, but I’m doing rough mixes of what I set down in digital sound early last week.
I’m also starting to visualize the artwork that is to accompany the album.
Is this one Goth? Hard saying, having listened to it a billion times while mixing it. I’m developing an ability to resist the blurghs, hurrghs, warghs and phllleeeegmmmms that a long abused larynx is wont to emit…
I’ll have some real news soon. I’m tweaking things in the background that shall be coolness itself if they work. Take this track onto your weekend and try it on the rocks:
Blowin’ In The Wind
I’ll make all statements on the hurricane in this note. I’ve been trying to get news on friends of mine who are there and have some info. Leilah and Daniel from Westgate got out safe, and are staying with friends in Lafayette. I imagine Magazine Street got hit pretty bad, being in the midst of things, but at least they are still with us.
And contrary to rumour, I’m not there. We set our sight on returning to Norway, so we see no reason to take on the expense of moving about Amerika. I’m waiting to hear from my people in NOLA, and will have coded personal updates as they come in. Modell and Angel got out, but there has been no info from the folks on the North Shore. At least they don’t have a whole city’s sewer backup to swim through in Folsom and surrounding towns, but some of those places were pretty fragile.
From this point forward, all profits from my sales from CDBaby.com will go to help the people of New Orleans. You can find all the CD’s by going to the page listed below.
http://cdbaby.com/all/choronzon333
That also includes all digital sales. We have the first three Choronzon albums on just about every pay for download service in existance, as well as digital kiosks throughout the midwest. The Veil Of Thorns album, “Cafe Flesh” is also available through most of them.
A partial list of Choronzon downloads:
Apple iTunes
Napster
Rhapsody
EMEPE3
MP3tunes
MusicMatch
Etherstream
Music4Cents
NetMusic
QTRnote
Puretracks
MSN Music
Magog Agog on Emusic + Era Vulgaris + Psychosis Ex Machina
LoudEye
MusicNet
Mperia
OnlinePromo
RuleRadio
DigiPie
MusicNow
Bitmunk
iSound
PlayIndies
Ruckus
MusicIsHere
Sony Connect
BuyMusic













CHORONZON
Incunabula Papers – Ong's Hat
PANICMACHINE
Veil Of Thorns