Posts tagged “classic movies

Les Vampires Ep. 10 – The Terrible Wedding – P. Emerson Williams Score


Now ,this tenth and final episode of Les Vampires can only be described as a helter skelter romp, complete with chases, mesmerism, somnabulism, dancing vampires and gunplay. The English title should be something more akin to “The Bloody Wedding”, methinks, but the above is what it says in the title card…

This serial was a ton of fun to create sounds for, and I may start another one soon, but first there’s a few small and larger treats in the works.


Les Vampires Ep. 09 – The Poisoner – P. Emerson Williams Score


Well, I was on my way to keep with my original intention of scoring the ten episodes of Les Vampires in ten weeks, but life got in the way. The tenth and final episode will be up within a week though and many other videonic projects to follow.

The Vampires learn of Guerande’s engagement and plan to poison him and his family at his engagement party. Guerande and family are spared due to a servant imbibing in the poisoned champagne early and then the chase is on. Will Irma and Venemous escape?


Phantasmagoric Environments


As the immersive art of FoolishPeople extends into the realms of cinema, the immersive art that is the essence of our work is brought into another realm. Those of you who have experienced the living narrative of FoolishPeople know that what is to be created with Strange Factories will transcend what we think of as cinematic form.

The Phantasmagoria of Strange Factories from FoolishPeople on Vimeo.

This film explores the ideas and background to FoolishPeople’s first feature film ‘Strange Factories’.

Stories and myths are given life by those who engage with them and we would like you to become part of our story. You’re a crucial element of how this project is produced, created and experienced.

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Les Vampires – Ep02: The Killer Ring – P. Emerson Williams Score


Our story opens up in this episode with the appearance of the gangsters calling themselves “Les Vampires” and the dramatic entrance of the amazing Musidora as Irma Vep. We now know a little more, but this just deepens the mystery and increases the heavy atmosphere. The fact that this series was shot in post WWI Paris has me pondering the urge to create, even in the midst of turmoil and chaos. the Killer Ring offered me a lot in the way of visual inspiration and coaxed sounds from me that I hadn’t anticipated.
From Wikipedia:

Les Vampires (1915) is a 10-part silent film serial. It was written and directed by Louis Feuillade and stars Musidora as “Irma Vep” a femme fatale whose name is a suspicious anagram of “vampire.” The serial is set in Paris, France and follows the exploits of a gang of master criminals (known in the period as an “Apache gang”) who call themselves “Les Vampires.”

There are 10 episodes, averaging around 40 minutes each, totalling about 6 and a half hours.

Olivier Assayas 1996 movie Irma Vep, with a story line of a director’s attempt to remake Les Vampires, is both an homage to the innovative nature of the original film and a critique of the then current state of French cinema.
Over the next few months I’ll be scoring all the episodes of this series:

La tête coupée (The Severed Head) 33 min. Released on 13 November 1915.

La bague qui tue (The Killer Ring) 15 min. Released on 13 November 1915.

Le cryptogramme rouge (The Red Cypher) 42 min. Released on 4 December 1915.

Le spectre (The Ghost) 32 min. Released on 7 January 1916.

L’évassion du mort (The Escaping Dead Man) 37 min. Released on 28 January 1916.

Les yeux qui fascinent (The Hypnotic Gaze) 58 min. Released on 24 March 1916.

Satanas (Satanas) 46 min. Released on 15 April 1916.

Le maître de la foudre (The Thunder Lord) 55 min. Released on 12 May 1916.

L’homme des poisons (The Poisoner) 53 min. Released on 2 June 1916.
Les noces sanglantes (Bloody Wedding) 60 min. Released on 30 June 1916


Les Vampires – Ep01: The Severed Head


Of the moonless nights they are kings,
darkness is their kingdom.
Carrying death and sowing terror
the dark Vampires fly,
with great suede wings,
ready not only to do evil… but to do even worse.

The Original Poster for Les Vampires

The Original Poster for Les Vampires


I’m having a lot of fun creating a score for this. Les Vampires is a film serial that gave us so much of the aesthetic for iconic gothic imagery its influence can not be overstated. Not a single vampire in sight, but enough mystery, twists and wickedness to fill twenty vampire novels.

From Wikipedia:

Les Vampires (1915) is a 10-part silent film serial. It was written and directed by Louis Feuillade and stars Musidora as “Irma Vep” a femme fatale whose name is a suspicious anagram of “vampire.” The serial is set in Paris, France and follows the exploits of a gang of master criminals (known in the period as an “Apache gang“) who call themselves “Les Vampires.”

There are 10 episodes, averaging around 40 minutes each, totalling about 6 and a half hours.

Olivier Assayas 1996 movie Irma Vep, with a story line of a director’s attempt to remake Les Vampires, is both an homage to the innovative nature of the original film and a critique of the then current state of French cinema.

Over the next few months I’ll be scoring all the episodes of this series:

  1. La tête coupée (The Severed Head) 33 min. Released on 13 November 1915.
  2. La bague qui tue (The Killer Ring) 15 min. Released on 13 November 1915.
  3. Le cryptogramme rouge (The Red Cypher) 42 min. Released on 4 December 1915.
  4. Le spectre (The Ghost) 32 min. Released on 7 January 1916.
  5. L’évassion du mort (The Escaping Dead Man) 37 min. Released on 28 January 1916.
  6. Les yeux qui fascinent (The Hypnotic Gaze) 58 min. Released on 24 March 1916.
  7. Satanas (Satanas) 46 min. Released on 15 April 1916.
  8. Le maître de la foudre (The Thunder Lord) 55 min. Released on 12 May 1916.
  9. L’homme des poisons (The Poisoner) 53 min. Released on 2 June 1916.
  10. Les noces sanglantes (Bloody Wedding) 60 min. Released on 30 June 1916

Nosferatu, a Symphony of Horror


Veil Of Thorns – Nosferatu soundtrack MP3

Because I can leave no idle idea alone, I’ve created a soundtrack to “Nosferatu, a Symphony of Horror”, the silent masterpiece by F.W. Murnau. I realize dozens of folks have done the same, but I’m actually quite proud of this one. I may do something with this with much better sound and picture quality. If I had a dvd burner, I’d let a chosen few of you have a full quality disc of it. I may yet be able to do something about it.

the approach was inspired by the Dogme 95 manofesto. Now, using so much technology probably makes it anathema to its adherents, but my mode of working is never pure, but, Harmony Korinne fanatic that I am, I feel an affinity to the movement. I had several limitations in doing this, as my hard drive is almost full, and I’ll be needing to send a bunch of large image files out in the coming week. Therefore, my first rule was only to use sounds I already had on my hard drive. This was easy, as what I have taking up space are the audio tracks from the Veil Of Thorns album I’ve just completed. What you’ll hear is 90% vocals with much less processing than it sounds like.

Secondly, I gave myself a timelimit of eight hours to create and sync the audio to the movie file. You can hear just the audio by downloading from the link above. You can download a windows media version by right clicking the image and saving, or you can watch it on the Veil Of Thorns Myspace page.

It’s actually taken me longer to render the movie than it took to write the music(k), which was fine, as I had lots of drawing I wanted to get done. More on that later.

The Vampire theme may make me goth at last.

For those few of you who haven’t seen countless versions of thos film, I include part of the wikipedia entry:

This was the first film of the production company Prana-Film GmbH; it was also the last as they declared bankruptcy after Bram Stoker’s estate—acting for his widow, Florence Stoker—sued for copyright infringement (plagiarism) and won. The court ordered all existing prints of Nosferatu destroyed, but a number of copies of the film had already been distributed around the world. These prints were then copied over the years, resulting in Nosferatu gaining a reputation as one of the greatest movie adaptations of the vampire legend.

With the influence of producer and production designer, Albin Grau, the film established one of two main lines of vampire depiction in movies. The “Nosferatu-type” is a living corpse with rodent features (especially elongated fingernails and incisors), associated with rats and plague, and neither charming nor erotic but totally repugnant. The victims usually die and are not turned into vampires themselves. The more common other line is the “Dracula-type” (established by Bela Lugosi’s version of Dracula and perpetuated by Christopher Lee), a charming aristocrat adept at seduction and turning his victims into new vampires.

Parts of the film allegedly showing Transylvania were filmed in Slovakia. Nosferatu’s castle, for instance, is Orava Castle in northern Slovakia, and other locations are in the High Tatras and on the Váh River around Strečno Castle.

The shadow of the vampire is seen climbing stairs in this famous scene from the movieMurnau’s Nosferatu is in the public domain, and copies of the movie are widely available on video—usually as poorly transferred, faded, scratched video copies that are often scorned by enthusiasts. However, pristine restored editions of the film have also been made available, and are also readily accessible to the public.

Watch the Nosferatu (Low bitrate)
Watch Nosferatu (high bitrate)

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