CHORONZON – ///Consummation//\\Metanoia\\\ Is Available From PANICMACHINE
With the cancellation of the Nachtmystium/Jarboe tour I did what I do in most situations, I took the great musical energy generated from learning and playing the amazing Jarboe, SWANS, World Of Skin tracks we were to perform and write new music. I recruited my good friend BALEYYG, who directed me through the material of the live set and long time collaborator and valued brother in art Ferenc Teglas to add their creative genius and gave them a week to do it.
This album is the result and it’s one hell of a dense and dark experience to rise from such a spontaneous burst of energy and creativity. I thank my brothers of dark art for blasting open the gateways between worlds on these songs.
The coming year will bring at least two East/West Choronzon releases, the first being Escape From Nullworld and then a Choronzon East/West revisiting of MKCCCXXXIII, an earlier version of which about twenty thousand of you grabbed from Megaupload before they got shut down.
11/05/2012 – As they round out the twenty-sixth year mark in their career, experimental Industrial Blackmetal act CHORONZON continue to build on an ever expanding palette with their most varied, unusual and harrowing release to date.
Just in time for the apocalypse and completed as a major storm makes landfall on the US East Coast comes a new album from the chaotes of Choronzon. The Consummation of metanoia is the pain of the psyche growing into new states of being. The Consummation of metanoia is the overwhelming transcendence even of healing to a transformation beyond the human to the essence of being human. A joyful opening to psychosis as means of preparation for easier adaptation. An embrace of fragility as a way to feel the full force of one’s strength.
With ///Consummation//\\Metanoia\\\Choronzon completes a creative and narrative arc that began with Ziggurat Of Dead Shibboleths. The code of esoteric insight broken, freedom declared under cover of night and now the mind is transformed and chakreas are open. This album is the Veil of Maya lifting as the inner being is revealed after many lifetime’s of journey through war and illusion.
Choronzon are opening up to yet another set of unexplored worlds on this, featuring electric standup bass, keys and percussion from Ferenc Teglas and the multiversal soundscapes of BALEYYG. “We gathered through astral projection to a pre-determined catacomb to generate the sounds by spectral means.” Says Choronzon chaote P. Emerson Williams on the process of creating ///Consummation//\\Metanoia\\\. “Between the three of us we really tapped into multiple streams.” declares Ferenc Teglas. “I got to experience the 333 current as a whispering voice in the distance. This is a very unique album.” Says BALEYYG.
///Consummation//\\Metanoia\\\ is released by PANICMACHINE and will be available from iTunes and other major digital retailers in December. Look for a book that completes and sums up the trilogy to come later this month along with a DVD version of ///Consummation//\\Metanoia\\\.
Our story opens up in this episode with the appearance of the gangsters calling themselves “Les Vampires” and the dramatic entrance of the amazing Musidora as Irma Vep. We now know a little more, but this just deepens the mystery and increases the heavy atmosphere. The fact that this series was shot in post WWI Paris has me pondering the urge to create, even in the midst of turmoil and chaos. the Killer Ring offered me a lot in the way of visual inspiration and coaxed sounds from me that I hadn’t anticipated.
From Wikipedia:
Les Vampires (1915) is a 10-part silent film serial. It was written and directed by Louis Feuillade and stars Musidora as “Irma Vep” a femme fatale whose name is a suspicious anagram of “vampire.” The serial is set in Paris, France and follows the exploits of a gang of master criminals (known in the period as an “Apache gang”) who call themselves “Les Vampires.”
There are 10 episodes, averaging around 40 minutes each, totalling about 6 and a half hours.
Olivier Assayas 1996 movie Irma Vep, with a story line of a director’s attempt to remake Les Vampires, is both an homage to the innovative nature of the original film and a critique of the then current state of French cinema.
Over the next few months I’ll be scoring all the episodes of this series:
La tête coupée (The Severed Head) 33 min. Released on 13 November 1915.
La bague qui tue (The Killer Ring) 15 min. Released on 13 November 1915.
Le cryptogramme rouge (The Red Cypher) 42 min. Released on 4 December 1915.
Le spectre (The Ghost) 32 min. Released on 7 January 1916.
L’évassion du mort (The Escaping Dead Man) 37 min. Released on 28 January 1916.
Les yeux qui fascinent (The Hypnotic Gaze) 58 min. Released on 24 March 1916.
Satanas (Satanas) 46 min. Released on 15 April 1916.
Le maître de la foudre (The Thunder Lord) 55 min. Released on 12 May 1916.
L’homme des poisons (The Poisoner) 53 min. Released on 2 June 1916.
Les noces sanglantes (Bloody Wedding) 60 min. Released on 30 June 1916
Of the moonless nights they are kings, darkness is their kingdom. Carrying death and sowing terror the dark Vampires fly, with great suede wings, ready not only to do evil… but to do even worse.
The Original Poster for Les Vampires
I’m having a lot of fun creating a score for this. Les Vampires is a film serial that gave us so much of the aesthetic for iconic gothic imagery its influence can not be overstated. Not a single vampire in sight, but enough mystery, twists and wickedness to fill twenty vampire novels.
From Wikipedia:
Les Vampires (1915) is a 10-part silent filmserial. It was written and directed by Louis Feuillade and stars Musidora as “Irma Vep” a femme fatale whose name is a suspicious anagram of “vampire.” The serial is set in Paris, France and follows the exploits of a gang of master criminals (known in the period as an “Apache gang“) who call themselves “Les Vampires.”
There are 10 episodes, averaging around 40 minutes each, totalling about 6 and a half hours.
Olivier Assayas 1996 movie Irma Vep, with a story line of a director’s attempt to remake Les Vampires, is both an homage to the innovative nature of the original film and a critique of the then current state of French cinema.
Over the next few months I’ll be scoring all the episodes of this series:
La tête coupée (The Severed Head) 33 min. Released on 13 November 1915.
La bague qui tue (The Killer Ring) 15 min. Released on 13 November 1915.
Le cryptogramme rouge (The Red Cypher) 42 min. Released on 4 December 1915.
Le spectre (The Ghost) 32 min. Released on 7 January 1916.
L’évassion du mort (The Escaping Dead Man) 37 min. Released on 28 January 1916.
Les yeux qui fascinent (The Hypnotic Gaze) 58 min. Released on 24 March 1916.
Satanas (Satanas) 46 min. Released on 15 April 1916.
Le maître de la foudre (The Thunder Lord) 55 min. Released on 12 May 1916.
L’homme des poisons (The Poisoner) 53 min. Released on 2 June 1916.
Les noces sanglantes (Bloody Wedding) 60 min. Released on 30 June 1916
This was another step in the creation process for Cognitive Dissonance, taking the Cognitive Dissonance Prolix posts and turning it into a series of strange dialogues. In the process I managed to take the thousands of words I’d written out and begin restructuring as verses and shorter bits.
My fine colleagues at Alterati.com let me hijack the show and with the help of James Curcio and Anna Young, what you can hear here was dramatized:
This unique episode takes you through a number of open-ended tales, told by the voices of a schizophrenic internal monologue. It can be taken as the voices in the mind of a sleeper, on the brink of sleep, or a mental patient, strapped into a bed in a moldy room in an asylum. Maybe these events happened, or have yet to happen. That’s for you to decide.
In addition to your loving host, this show features the voice acting talents of P. Emerson Williams and Anna Young, and the music includes much atmospheric material from Veil of Thorns and Ariana van Gelder.
Strap yourself in, put on the headphones, and enjoy the show.
Here are the first embryonic early tracks interspersed with short P. Emersonite bursts for you, my darlings. Vocalists don’t usually like to have anyone hear anything but the most spot on, confident performances, but I’m going for a feeling and a story, and these are my sketches.
The mixes are my usual thick and resonating things, as they were before I sent them off to the masterful mastering of Ari. Contents need to be decanted as they may throw off a sediment….
The image is the gateway to the file, and the player below starts the stream.
Further dissection of the sounds. I had some radio signals coming through the guitar as I laid down the tracks, and I’ve made liberal use of them here. Unlike the album itself, I layered, layered the layers and added extra layers to boot.
I think my machines feaked out and became possessed in the process.
We will be bringing you works in progress from the next Veil of Thorns album “Salon Apocalypse” and mangled wrecks thereof soon. We can’t say just yet if we’ll run the full cycle of revisiting the Cognitive Dossonance sessions or if they may intersperse with the Apocalypse podcasts and sketches.
Now:
A special one for this dark and cool evening. Click the picture for to download.
I made this outta the bass tracks from the album. Mostly you’re hearing one track of bass with no layers but the real-time FX, though there are a couple points where the cello creeps in.
A few inexplicable voices emerged that weren’t recorded by me. If it fits as a soundtrack for your evening, I want to hear the story.
Click to Play The figure with the ugly shirt and big ears (you do love the mirrorkaleidoscopics) is Joe Six Pack and also every wino that nips at my heels and slobbers at me. I cannot believe how ugly he is. He is the bastard son of Wal-Mart and Choice Point. Anti-Choronzon, face of the Duh Beast. Death by marriage. Marriage by death. The kitchen floor and the ovens, oven cleaner fumes, clean as a whistle, she lies there under the faucet.
The serpent is escaping or about to, but the doors close too fast and it slides into itself…the end, the end, end, end, the one with no beginning or middle.
Michelle Remembers chronicles Pazder’s therapy in the late 1970s with his long-time patient Michelle Smith. Smith allegedly recovered memories of Satanic ritual abuse that occurred when she was a child in the 1950s at the hands of her mother (Virginia Proby) and others in Victoria, British Columbia. Among other things, Smith recovered memories of being placed with a corpse in a car that was then deliberately crashed near the Malahat highway, being kept locked in a cage with snakes without sleep or sustenance for weeks, being forced to ingest poison and other noxious substances, and taking part in bizarre ceremonies in a round room and at the Ross Bay Cemetery (e.g.: being placed in an open grave and having dead cats thrown on her). The book reaches its climax with the details of how in the fall of 1955, Satan himself appeared at an 81-day non-stop ceremony (allegedly involving hundreds of participants) attempting to claim Smith as his own, only to be opposed by Jesus, the Virgin Mary, and the archangel Michael. The book concludes with Smith, having been saved by the Virgin Mary and Jesus, awakening to find she had no memory of the abuse that had occurred and to find her parents telling her that she was recovering from the measles.
Pazder’s therapy and treatment for Smith’s alleged experiences included hypnotism, exorcism, and conversion to Catholicism. During this time (the late 1970s), Smith was named as the co-respondent (the “other woman”) in Pazder’s divorce. Pazder and Smith later married (she had been married to Doug Smith during the therapy).
Pazder died suddenly and unexpectedly in his home in March of 2004 of a heart attack. Smith still lives in Victoria. Michelle Remembers is out-of-print as of 2006.
// About Newtopia: a definition n – a cultural review that examines how our politics and policies are reflected in our arts, government, and humanities. v – an experimental form of thought mutation and cross-breeding, providing a unconventional forum for a range of detailed and informed socio-political opinion and analysis. adj – words or ideas used for the development of new possibilities, theories, and solutions for a better world. Often confused with the word idealistic.